Inspired by 18th C. porcelain figurines, Chris Antemann’s work employs a unity of design and concept to simultaneously examine and parody male and female relationship roles. Characters, themes and incidents build upon each other, effectively forming their own language that speaks about domestic rites, social etiquette, and taboos. Themes from the classics and the romantics are given a contemporary edge; elaborate dinner parties, picnic luncheons and ornamental gardens set the stage for her twisted tales to unfold.
The pieces Chris is making in the Meissen Art Campus use the literary technique of a frame narrative, a story within a story, to build relationships and create layers of information between the sculptural aspects and the painted surfaces. The main story is presented in the guise of the 18th century porcelain figurine as a context, which frames a parody or second narrative between the sculpted characters. Other stories and in many cases, the sources of inspiration for the piece are painted into the scene in elaborate detail.
